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فلسفه::
ساختار مسطح و دو وجهی
In Part Two, attention is paid to a neglected feature in which all figurative content is embedded, namely the planar structure of pictorial representation.
It is also shown how this planar structure is decisive, also, for more marginal forms of picturing.
It centres on an often misunderstood, and thence neglected, aspect of pictorial space, namely its planar structure.9
In making a picture, in contrast, the artist fixes the figure-ground relation on the basis of the planar structures described above.
And even if the represented subject is meant to be in motion, its rendition in a planar structure invests it with virtual immobility.
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